Prior to forming Beastie Boys, Michael Diamond was part of a number of bands such as the Walden Jazz Band, BAN, and The Young Aborigines. Beastie Boys formed in July 1981 when the Young Aborigines bassist Jeremy Shatan left New York City for the summer and the remaining members Michael Diamond, John Berry and Kate Schellenbach formed a new hardcore punk band with Adam Yauch. The band supported Bad Brains, the Dead Kennedys, the Misfits and Reagan Youth at venues such as CBGB, A7, Trudy Hellers Place and Max's Kansas City, playing at the latter venue on its closing night. In November 1982, Beastie Boys recorded the 7" EP Polly Wog Stew at 171A studios, an early recorded example of New York hardcore. On November 13, 1982, Beastie Boys played Philip Pucci's birthday for the purposes of his short concert film, Beastie. Pucci held the concert in Bard College's Preston Drama Dance Department Theater. This performance marked Beastie Boys' first on screen appearance in a published motion picture. Pucci's concept for Beastie was to distribute a mixture of both a half dozen 16 mm Bell & Howell Filmo cameras, and 16 mm Bolex cameras to audience members and ask that they capture Beastie Boys performance from the audience's own point of view while a master sync sound camera filmed from the balcony of the abandoned theater where the performance was held. The opening band for that performance was The Young and the Useless, which featured Adam Horovitz as the lead singer. A one-minute clip of Beastie was subsequently excerpted and licensed by Beastie Boys for use in the "Egg Raid on Mojo" segment of the "Skills to Pay the Bills" long-form home video released by Capitol Records. "Skills to Pay the Bills" later went on to be certified Gold by the Recording Industry Association of America (RIAA). Berry left the group in 1982 (later forming Thwig, Big Fat Love and Bourbon Deluxe) and was replaced by Horovitz, who had become close friends with Beastie Boys. The band also recorded and then performed its first hip hop track, "Cooky Puss", based on a prank call by the group to a Carvel Ice Cream franchise in 1983. It was a part of the new lineup's first EP, also called Cooky Puss, which was the first piece of work that showed their incorporation of the underground rap phenomenon and the use of samples. It quickly became a hit in New York underground dance clubs and night clubs. "Beastie Revolution" was later sampled for a British Airways commercial. Beastie Boys sued them over the use of the song, earning them $40,000 in royalties. Following the success of "Cooky Puss", the band began to incorporate rap into their sets. They hired a DJ for their live shows, New York University student Rick Rubin, who began producing records soon thereafter. "I met Mike first," Rubin recalled. "I thought he was an arrogant asshole. Through spending time with the Beasties I grew to see that they had this great sense of humour. It wasn't that they were assholes, and even if it was, they were funny with it." Rubin formed Def Jam Recordings with fellow NYU student Russell Simmons, and approached the band about producing them for his new label. As the band was transitioning to hip hop, Schellenbach was fired in 1984, with Diamond taking over on drums. In their 2018 memoir, Ad-Rock expressed regret for firing Schellenbach, which he attributed to her not fitting with the "new tough-rapper-guy identity". The band's 12-inch single "Rock Hard" (1984) was the second Def Jam record crediting Rubin as producer (the first was "It's Yours" by T La Rock and Jazzy Jay). In 1985, Beastie Boys opened for John Lydon's post-Sex Pistols band Public Image Ltd., and supported Madonna on her North American The Virgin Tour. Then headlining with Fishbone and Murphy's Law with DJ Hurricane and later in the year, the group was on the Raising Hell tour with Run-DMC, Whodini, LL Cool J, and the Timex Social Club. Thanks to this exposure, "Hold It Now, Hit It" charted on Billboard's US R&B and dance charts. "She's On It" from the Krush Groove soundtrack continued in a rap/metal vein while a double A-side 12", "Paul Revere/The New Style", was released at the end of the year. The band recorded Licensed to Ill in 1986 and released it on November 15, 1986. The album was favorably reviewed by Rolling Stone magazine with the headline, "Three Idiots Create a Masterpiece". Licensed to Ill became one of the best-selling rap albums of the 1980s and the first rap album to go number 1 on the Billboard 200 chart, where it stayed for five weeks. It also reached number 2 on the Top R&B album chart. It was Def Jam's fastest selling debut record to date and sold over nine million copies. The fourth single, "(You Gotta) Fight for Your Right (To Party!)", reached number 7 on the US Billboard Hot 100. Although the group has sold over 26 million records in the US, this is their only single to peak in the US top ten or top twenty. The accompanying video (directed by Ric Menello and Adam Dubin) became an MTV staple. Another song from the album, "No Sleep till Brooklyn", peaked at number 14 on the UK Singles Chart. The band took the Licensed to Ill tour around the world the following year. The tour was troubled by lawsuits and arrests, with the band accused of provoking the crowd. This culminated in a notorious gig at the Royal Court Theater, Liverpool, England, on May 30, 1987, that erupted into a riot approximately 10 minutes after the group hit the stage and the arrest of Adam Horovitz by Merseyside Police. He was charged with assault causing grievous bodily harm. In 1988, Beastie Boys appeared in Tougher Than Leather, a film directed by Rubin as a star vehicle for Run-D.M.C. and Def Jam Recordings. After the success of Licensed to Ill, Beastie Boys left Def Jam and signed with Capitol Records. The second Beastie Boys album, Paul's Boutique, was released on July 25, 1989. Produced by the Dust Brothers, it blends eclectic samples and has been described as an early work of experimental hip hop. It failed to match the sales of Licensed to Ill, peaking at number 14 on the US Album Charts, but later attracted wide acclaim; Rolling Stone ranked it number 156 on its list of the 500 Greatest Albums of All Time. Check Your Head was recorded in the band's G-Son studio in Atwater Village, California, and released on its Grand Royal record label. The band was influenced to play instruments on this album by Dutch group Urban Dance Squad; with Mike D on drums, Yauch on bass, Horovitz on guitar and Mark Ramos Nishita ("Keyboard Money Mark") on keyboards. Mario Caldato, Jr., who had helped in the production of Paul's Boutique, engineered the record and became a longtime collaborator. Check Your Head was released in 1992 and was certified double Platinum in the US and peaked at number 10 on the Billboard 200. The single "So What'cha Want" reached number 93 on the Billboard 100 and charted on both the Rap and Modern Rock Chart, while the album's first single, "Pass the Mic", peaked at number 38 on the Hot Dance Music chart. The album also introduced a more experimental direction, with funk and jazz inspired songs including "Lighten Up" and "Something's Got to Give". The band returned to their hardcore punk roots for the song "Time for Livin'", a cover song originally by Frontline, a New York hardcore band from the early 80s. The addition of instruments and the harder rock sound of the album could be considered a precursor to the nu metal genre of music to come out in the later half of the 1990s. Beastie Boys signed an eclectic roster of artists to their Grand Royal label, including Luscious Jackson, Sean Lennon, and Australian artist Ben Lee. The group owned Grand Royal Records until 2001. Grand Royal's first independent release was Luscious Jackson's album In Search of Manny in 1993. Also in 1993, the band contributed the track "It's the New Style" (with DJ Hurricane) to the AIDS benefit album No Alternative, produced by the Red Hot Organization. Beastie Boys also published Grand Royal Magazine, with the first edition in 1993 featuring a cover story on Bruce Lee, artwork by George Clinton, and interviews with Kareem Abdul-Jabbar and A Tribe Called Quest's MC Q-Tip. The 1995 issue of the magazine contained a memorable piece on the mullet. The Oxford English Dictionary cites this as the first published use of the term, along with the lyrics from the band's 1994 song, "Mullet Head". That term was not heard in the 1980s, even though that decade has retroactively been hailed as the mullet's peak in popularity. The OED says that the term was "apparently coined, and certainly popularized, by US hip-hop group Beastie Boys". Grand Royal Magazine is also responsible for giving British band Sneaker Pimps their name. Ill Communication, released in 1994, saw Beastie Boys' return to the top of the charts when the album debuted at number 1 on the Billboard 200 and peaked at number 2 on the R&B/hip hop album chart. The single "Sabotage" became a hit on the modern rock charts and the music video, directed by Spike Jonze, received extensive play on MTV. "Get It Together" reached Top 10 on the Billboard. Also in 1994, the band released Some Old Bullshit, featuring the band's early independent material, made number 46 on the Billboard independent charts. Beastie Boys headlined at Lollapalooza—an American travelling music festival—in 1994, together with The Smashing Pumpkins. In addition, the band performed three concerts (in Los Angeles, New York City, and Washington, D.C.) to raise money for the Milarepa Fund and dedicated the royalties from "Shambala" and "Bodhisattva Vow" from the Ill Communication to the cause. The Milarepa Fund aims to raise awareness of Tibetan human rights issues and the exile of the Dalai Lama. In 1996, Yauch organized the largest rock benefit show since 1985's Live Aid – the Tibetan Freedom Concert, a two-day festival at Golden Gate Park in San Francisco that attracted over 100,000 attendees. In 1995, the popularity of Beastie Boys was underlined when tickets for an arena tour went on sale in the US and Madison Square Garden and Chicago's Rosemont Horizon sold out within 30 minutes. One dollar from each ticket sold went through Milarepa to local charities in each city on the tour. Beastie Boys toured South America and Southeast Asia for the first time. The band also released Aglio e Olio, a collection of eight songs lasting just 11 minutes harking back to their punk roots, in 1995. The in Sound from Way Out!, a collection of previously released jazz/funk instrumentals, was released on Grand Royal in 1996 with the title and artwork a homage to an album by electronic pop music pioneers Perrey and Kingsley. Beastie Boys began work on the album Hello Nasty at the G-Son studios, Los Angeles in 1995, but continued to produce and record it in New York City after Yauch moved to Manhattan in 1996. The album displayed a substantial shift in musical feel, with the addition of Mix Master Mike. The album featured bombastic beats, rap samples, and experimental sounds. Released on July 14, 1998, Hello Nasty earned first week sales of 681,000 in the US and went straight to number 1 in the US, the UK, Germany, Australia, the Netherlands, New Zealand, and Sweden. The album achieved number 2 rank in the charts in Canada and Japan, and reached top ten chart positions in Austria, Switzerland, Ireland, Belgium, Finland, France and Israel. Beastie Boys won two Grammy Awards in 1999, receiving the Grammy Award for Best Alternative Music Album for Hello Nasty as well as the Grammy Award for Best Rap Performance by a Duo or Group for "Intergalactic". This was the first and, as of 2008, only time that a band had won awards in both rap and alternative categories. Also at the 1998 MTV Video Music Awards they won the Michael Jackson Video Vanguard Award for their contribution to music videos. The following year at the 1999 MTV Video Music Awards they also won the award for Best Hip Hop Video for their hit song "Intergalactic". Beastie Boys used both appearances at the Video Music Awards to make politically charged speeches of considerable length to the sizable MTV audiences. At the 1998 ceremony, Yauch addressed the issue of Muslim people being stereotyped as terrorists and that most people of the Muslim faith are not terrorists. These comments were made in the wake of the US Embassy bombings that had occurred in both Kenya and Tanzania only a month earlier. At the 1999 ceremony in the wake of the horror stories that were coming out of Woodstock 99, Adam Horovitz addressed the fact that there had been many cases of sexual assaults and rapes at the festival, suggesting the need for bands and festivals to pay much more attention to the security details at their concerts. Beastie Boys started an arena tour in 1998. Through Ian C. Rogers, the band made live downloads of their performances available for their fans, but were temporarily thwarted when Capitol Records removed them from its website. Beastie Boys was one of the first bands who made mp3 downloads available on their website. The group got a high level of response and public awareness as a result including a published article in The Wall Street Journal on the band's efforts. On September 28, 1999, Beastie Boys joined Elvis Costello to play "Radio Radio" on the 25th anniversary season of Saturday Night Live. Beastie Boys released The Sounds of Science, a two-CD anthology of their works in 1999. This album reached number 19 on the Billboard 200, number 18 in Canada, and number 14 on the R&B/Hip Hop charts. The one new song, the single "Alive", reached number 11 on the Billboard's Modern Rock chart. In 2000, Beastie Boys had planned to co-headline the "Rhyme and Reason Tour" with Rage Against the Machine and Busta Rhymes, but the tour was canceled when drummer Mike D suffered a serious injury due to a bicycle accident. The official diagnosis was fifth-degree acromioclavicular joint dislocation; he needed surgery and extensive rehabilitation. By the time he recovered, Rage Against the Machine had disbanded, although they would reunite seven years later. Under the name Country Mike, Mike D recorded an album, Country Mike's Greatest Hits, and gave it to friends and family for Christmas in 2000. Adam "Ad-Rock" Horovitz's side project BS 2000 released Simply Mortified in 2001. In October 2001, after the September 11, 2001 attacks, Beastie Boys organized and headlined the New Yorkers Against Violence Concert at the Hammerstein Ballroom. In 2002, Adam Yauch started building a new studio facility, Oscilloscope Laboratories, in downtown Manhattan, New York and the band started work on a new album there. The band released a protest song, "In A World Gone Mad", against the 2003 Iraq war as a free download on several websites, including the Milarepa website, the MTV website, MoveOn.org, and Win Without War. The 19th and 20th Tibetan Freedom Concerts were held in Tokyo and Taipei, Beastie Boys' first Taiwan appearance. Beastie Boys also headlined the Coachella Valley Music and Arts Festival. Their single, "Ch-Check It Out", debuted on The O.C. in "The Vegas" episode from Season 1, which aired April 28, 2004. To the 5 Boroughs was released worldwide on June 15, 2004. It was the first album the band produced themselves and reached number 1 on the Billboard album charts, number 2 in the UK and Australia, and number 3 in Germany. The first single from the album, "Ch-Check It Out", reached number 1 in Canada and on the US Modern Rock Tracks chart. The album was the cause of some controversy with allegations that it installed spyware when inserted into the CD drive of a computer. The band denied this allegation, defending that there is no copy protection software on the albums sold in the US and UK. While there is Macrovision CDS-200 copy protection software installed on European copies of the album, this is standard practice for all European releases on EMI/Capitol Records released in Europe, and it does not install spyware or any form of permanent software. The band stated in mid-2006 that they were writing material for their next album and would be producing it themselves. Speaking to British music weekly NME (April 26, 2007), Diamond revealed that a new album was to be called The Mix-Up. Despite initial confusion regarding whether the album would have lyrics as opposed to being purely instrumental, the Mic-To-Mic blog reported that Capitol Records had confirmed it would be strictly instrumental and erroneously reported a release date scheduled for July 10, 2007. The band played several tracks from the album at the 2007 Virgin Festival at Pimlico Race Course in Baltimore, Maryland. The band subsequently confirmed the new album and announced a short tour that focused on festivals as opposed to a traditional tour, including the likes of Sónar (Spain), Roskilde (Denmark), Hurricane/Southside (Germany), Bestival (Isle of Wight), Electric Picnic (Ireland) and Open'er Festival (Poland). Beastie Boys performed at the UK leg of Live Earth July 7, 2007 at Wembley Stadium, London with "Sabotage", "So What'cha Want", "Intergalactic", and "Sure Shot". They worked with Reverb, a non-profit environmental organization, on their 2007 summer tour. They headlined the Langerado Music Festival in South Florida on Friday, March 7, 2008. They won a Grammy for The Mix-Up in the "Best Pop Instrumental Album" category at the 50th Annual Grammy Awards in 2008. In February 2009, Yauch revealed their forthcoming new album had taken the band's sound in a "bizarre" new direction, saying "It's a combination of playing and sampling stuff as we're playing, and also sampling pretty obscure records." On May 25, 2009, it was announced during an interview on Late Night with Jimmy Fallon that the name of their new album would be Hot Sauce Committee and was set for release on September 15th. In June, the group appeared at Bonnaroo Music and Arts Festival and performed the new single from the album titled "Too Many Rappers" alongside rapper Nas who appears on the track. It would be the last live performance by Beastie Boys as a trio. The group would have toured the UK later in the year in support of the new record. On July 20, Yauch announced the cancellation of several tour dates and the postponement of the new album due to the discovery of a cancerous tumor in his parotid gland and a lymph node. The group also had to cancel their co-headlining gig at the Osheaga Festival in Montreal as well as a headlining spot at 2009's Lollapalooza and also another headlining spot for the first night of the All Points West Festival in Jersey City, New Jersey. In late October 2010, Beastie Boys sent out two emails regarding the status of Hot Sauce Committee Pts. 1 and 2 to their online mailing list. An email dated October 18 read: "Although we regret to inform you that Hot Sauce Committee Part 1 will continue to be delayed indefinitely, Hot Sauce Committee Part 2 will be released on time as originally planned in spring of 2011." One week later, a second email was sent out, reading as follows: In what can only be described as a bizarre coincidence, following an exhaustive re-sequence marathon, Beastie Boys have verified that their new Hot Sauce Committee Part 2 will be composed of the same 16 tracks originally slated for inclusion on Hot Sauce Committee Part 1. The record (part 2 that is) will be released as planned in spring 2011 on Capitol. The tracks originally recorded for Hot Sauce Committee Part 2 (which now are actually back on Part 1) have now apparently been bumped to make room for the former Hot Sauce Committee Part 1 material. Wait, what? I know it's weird and confusing, but at least we can say unequivocally that Hot Sauce Committee Part 2 is coming out on time, which is more than I can say about Part 1, and really is all that matters in the end." says Adam "MCA" Yauch. "We just kept working and working on various sequences for part 2, and after a year and half of spending days on end in the sequencing room trying out every possible combination, it finally became clear that this was the only way to make it work. Strange but true, the final sequence for Hot Sauce Committee Part 2 works best with all its songs replaced by the 16 tracks we originally had lined up in pretty much the same order we had them in for Hot Sauce Committee Part 1. So we've come full circle. The official release dates were April 27, 2011 for Japan; April 29 in the UK and Europe, and May 3, 2011 in the US. The band was announced as an inductee into the Rock and Roll Hall of Fame in December 2011. They were inducted by Chuck D and LL Cool J on April 14, 2012. Yauch was too sick to attend the ceremony, having been admitted to New York–Presbyterian Hospital the same day, therefore the group didn't perform; instead Black Thought, Travie from Gym Class Heroes and Kid Rock performed a medley of their songs. Diamond and Horovitz accepted and read a speech that Yauch had written. On May 4, 2012, Yauch died from cancer at the age of 47. Mike D told Rolling Stone that Beastie Boys had recorded new music in late 2011, but did not say if these recordings would be released. He also said that Beastie Boys would likely disband due to the death of MCA, though he was open to making new music with Ad-Rock and that "Yauch would genuinely want us to try whatever crazy thing we wanted but never got around to". In June 2014, Mike D confirmed that he and Ad-Rock would not make music under the Beastie Boys name again. Founding Beastie Boys guitarist John Berry died on May 19, 2016, aged 52, as a result of frontotemporal dementia, following several years of ill health. He was credited with naming the band Beastie Boys and played guitar on the first EP. The first Beastie Boys show took place at Berry's loft. Yauch's will forbids the use of Beastie Boys music in advertisements. In June 2014, Beastie Boys won a lawsuit against Monster Energy for using their music in a commercial without permission. They were awarded $1.7 million in damages and $668,000 for legal fees. In October 2018, Michael Diamond and Adam Horovitz released a memoir, Beastie Boys Book. A few months ago, they released the fore mentioned documentary, Beastie Boys Story, directed by Spike Jonze.
Do It doesn't really dig into the depths of the B-Boys discography. As previously stated it's just the instrumentals (and probably not complete at that). I've gathered nearly 60 backing tracks (bootlegged by the band itself) from classic albums Paul's Boutique, Check Your Head, Ill Communication and Hello Nasty, as well as various single instrumental edits into a folder. And I've included the 4 official instrumental releases -- In Sound From Way Out (1996), Hello Nasty Instrumental Sessions (1998), The Mix-Up (2007) and The Mix-Up Bonus Tracks EP (2008). The compilation tracks are largely sourced from vinyl rips and I've made no improvements so quality is lacking at times. All files are chronicled, cleanly tagged and mp3 @ 320kbs. Thanks to original uploaders, enjoy.